Delius’s amanuensis Eric Fenby attributed its relative neglect to its difficulty and its rhapsodic form, though this particular recording has shown ever since its first incarnation on LP that the two essential requirements are a cellist and a conductor who thoroughly understand Delius’s idiom and can get inside his sound-world: in other words, two Delians through and through. The Cello Concerto was Delius’s favourite among his three string concertos, admired not only by Percy Grainger and others in his immediate circle but (perhaps a little surprisingly) by Elgar, who said he yearned to conduct it. López-Cobos is ideally cast here in support of his flamboyant soloist, and the extremely happy results carry to the listener. Both these concertos need a conductor who is thoroughly at home in the Spanish idiom and can bring his own flair to the proceedings (just as Pedro de Freitas Branco did in the case of the Lalo on the old Decca 78s with the legendary Suggia). The work that Rodrigo wrote for Lloyd Webber, with its arresting bolero opening and sustained melodic interest, was first heard in 1982 the Sunday Times verdict of sumptuously listenable-to’ remains the most apt epithet The Lalo has always been a valuable contribution to the restricted cello repertoire with its appealing blend of strength and fancy all clothed in highly effective writing for the instrument, one wonders why it is not heard more. This welcome reissue contains three of the soloists best concerto performances, especially the Delius (which is inspired).
Julian Lloyd Webber, cello London Philharmonic Orchestra, Jesus Lopez-Cobos, conductor +Philharmonia Orchestra, Vernon Handley, conductor Rodrigo: Concierto como un divertimento Delius: Concerto for cello and orchestra+
JULIAN LLOYD WEBBER: ROMANTIC CELLO CONCERTOS Musical Opinion April 2010 Romantic Cello Concertos CD
0 kommentar(er)
